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It is also possible to set a range for the velocity level of a note that allows you to have a natural-sounding performance when playing live. There is now also the “Activate actions globally” button, which is located on the master track of the session view.Īnother feature that could be useful in a live context is the introduction of a probability track in the MIDI editor that controls the probability that a particular note will be played. New additions to the live performer include new chase features: chase actions can now be linked to the length of a clip, scenes can now contain chase actions, and there is a new chase action, “Jump”, that takes you to a specific clip can jump. So it seems that this feature isn’t ready for prime time just yet. We had mixed results when trying to route Live to different recordings and live audio inputs. When you enable this, Live will analyze the audio input and adjust the project tempo accordingly. A “Follow” button will appear to the left of the familiar “Tap” button in the upper left corner of the live interface. This is easy to set up Simply select an audio input channel in Live Settings> Link / Tempo / MIDI Control Panel, then set Show Show Follower Toggle to Show. In terms of live performance, Live can now select an audio input channel and use it to control Live’s internal tempo. It even works with warping, which makes it easy to time correct multi-lane elements. Still a powerful feature that can be used in conjunction with track tracks and allows complex multi-track layers to be created and edited quickly. However, you cannot adjust the fade times of multiple clips on the same track at the same time. However, the functionality is limited to influencing clips at the same time position.įor example, you can adjust the relative fade time of two clips that are playing simultaneously on different tracks. This is useful when working with multiple copies, or related versions of the same material, and will likely be invaluable to those involved in multi-track vocal and drum recording. When tracks are linked, selections made on one of the tracks are reflected on the other so that audio on multiple tracks can be edited simultaneously. To link tracks, select multiple tracks, right-click on one of their track headers and choose “Link Tracks”.
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Linked tracks work in a similarly straightforward manner.
#ABLETON SIMPLE DELAY REVIEW FOR MAC#
For advanced MIDI and audio editing, it’s hard to beat, although it doesn’t offer the capabilities of Live.Īvailable for Mac only, and its workflow is not as streamlined as Live, but it has features that are ideal for live performers. The original MPE DAW has been around since the late 80’s and it’s still on the cutting edge of music production. It also includes The Grid, an extremely powerful modular environment for creating your own effects, instruments, and more. Live’s closest rival is a DAW with a similar interface as well as powerful audio and modulation routing capabilities. It’s an easy-to-use solution to a long-sought-after feature that will undoubtedly delight those who wait for it. Alternatively, you can use drawing mode – just drag over part of a clip and it will be placed on the main track. To compose the recorded material, select the desired section of a lane and press Enter to place it on the main lane. Similar to multiple automation lanes, they are displayed under the main lane. Take Lanes can be viewed by right-clicking a track header and selecting Show Take Lanes. There is a very simple way to comping: record audio or MIDI over a looped section of the project and the data will still be recorded in a single clip, but each cycle will be placed on a new take lane. Performance and judgmentįor those who use Live to follow MIDI and audio performances, the most exciting additions are the new comping and linked tracks features. It also makes polyphonic aftertouch available on live push devices. MPE can be used without a compatible hardware controller and programmed directly on the new Expressions tab next to the Notes and Envelopes tabs in the MIDI clip editor. MPE also offers a release speed that is very similar to the known attack speed but is applied to the end of notes. MPE enables pitch bending of individual notes, and there are now individual Slide and Pressure parameters for use as modulation sources with discrete values for each note. Live now includes support for MIDI Polyphonic Expression (MPE) for more granular control of compatible instruments.